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Ian Gooding and Moana

One of the highlights of the crusie for us was a lecture series by Ian Gooding, the production designer on Moana/Vaiana*.

He gave a series of five lectures on the making of the movie which made me love an already amazing movie more. There were many technical aspects that are cutting edge - Moana's hair was modelling at the level of single strands, all interacting with each other and the level of moisture to create the natural bounces and movements. But the really impressive part was the attention to getting things right. A six second clip of Moana dancing involved a research team investigating the cloth types, patterns and colours that were available 2000 years ago in the south Pacific, plus cultural teams working on the dance style, the cultural context, the music - everything. A real dedication to getting every last detail right, not just to make the product look good, but to make the product a homage to the people they were depicting. One example that stuck with me was the night sky you see in Moana - it could have just been random dots, and few people would have noticed. But instead they asked an observatory to run a simulation of the night sky 2000 years ago above Samoa - I doubt anyone would ever notice the difference between modern Samoan stars and 2000 years ago Samoan stars, but they wanted to get it right.

I really respect that level of attention to detail, that much passion for your job. Even if we don't pick up all of the details, the love and respect the movie was built with really shines through in the final production. Congratulations to Ian and his team!


* In Europe the movie name was changed to Vaiana due to "trademark restrictions" (probably actually about potential confusion with a famous porn star). 

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